Live performance of soundtrack to film projection of Tony Conrad’s The Flicker, with Hangjun Lee.
Immsersive audiovisual installation with 3D-engraving and printing
Immersive generative audiovisual performance
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(2014 – ongoing)
Interactive audiovisual installation
Ethnic Diversity in Sites of Cultural Activity poses the question of whether computers can be racist by highlighting the potential for discrimination of face recognition technology. The interactive installation consists of a computer, a web camera, speakers, projectors and lamps. It locates faces, detects skin colour and alters the sound and image produced depending on the ethnic diversity of the visitors to the exhibition. Different music is selected depending on where the work is exhibited. The piece was originally developed in Vienna where it morphed between Fela Kuti’s Zombie for dark skin and Johann Strauss II’s the Blue Danube performed by the Vienna Philharmonic for light skin in reference to the orchestra’s lack of ethnic and gender diversity.
Available in limited edition digital format from Sedition.
Live audiovisualisation of a Mandelbox fractal
Immersive audio-visual performance and screening work