Artist, musician and researcher exploring the possibilities of meaning and context presented through sound and its materiality in relation to digital and audio technologies

audiovisual

Live soundtrack to Tony Conrad’s The Flicker

(2017)
Live performance of soundtrack to film projection of Tony Conrad’s The Flicker, with Hangjun Lee.

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Pika! Ppeonjjeog, Pika! Ppeonjjeog / PPiikkaa!! PPppeeoonnjjjjeeoogg

(2015/2020)
Immsersive audiovisual installation with 3D-engraving and printing

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Construction in Kneading [surround]

Immersive generative audiovisual performance

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Ethnic Diversity in Sites of Cultural Activity

(2014 – ongoing)
Interactive audiovisual installation

Ethnic Diversity in Sites of Cultural Activity poses the question of whether computers can be racist by highlighting the potential for discrimination of face recognition technology. The interactive installation consists of a computer, a web camera, speakers, projectors and lamps. It locates faces, detects skin colour and alters the sound and image produced depending on the ethnic diversity of the visitors to the exhibition. Different music is selected depending on where the work is exhibited. The piece was originally developed in Vienna where it morphed between Fela Kuti’s Zombie for dark skin and Johann Strauss II’s the Blue Danube performed by the Vienna Philharmonic for light skin in reference to the orchestra’s lack of ethnic and gender diversity.

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Real-Time GENDYN Audiovisualisation

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Composition: White Square, White Circle

Available in limited edition digital format from Sedition.

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Construction in Kneading

Live audiovisualisation of a Mandelbox fractal
(2013/2016)
Immersive audio-visual performance and screening work

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