In collaboration with Aron Rossman-Kiss
Based on a huge audio archive of testimonies from participants and statistics of victims from the Yugoslav Wars, the work questions the modalities of presenting this material as well as the power structures that condition their use and dissemination. Ironic and grave, it is both a memorial in the making and a reminder that describing events simply as “war” risks glossing over the imbalances, intricacies and causes of the conflicts. In conjunction with the uncanny ability of algorithmically-generated “fake” text to function as testimonies, the work serves to highlight the complexities inherent in the use of such material within the public sphere, education and documentary research.
Live performance of soundtrack to film projection of Tony Conrad’s The Flicker, with Hangjun Lee.
Soundtrack to audiovisual installation in collaboration with Meital Covo.
Genosong is an improvising ensemble with live sampling. It incorporates live electronics as an augmentation of traditional acoustic instruments in an improvisational context through live sampling alone: no pre-recorded sounds or synthesis methods are used. A natural and organic electroacoustic soundscape is produced that acts as an additional voice in the ensemble; this results in further development of the musical material by the players that is then also sampled. The creation of this feedback allows for extremely interesting emergent behaviour where smooth and gradual processes are juxtaposed against abrupt and chaotic changes.
Outsider Rehearsals 2009
Play each track separately, or download album as single zip file (flac) with artwork.
Chien-Chun Lin: soprano
I-Chin Li: piano, percussion
Guillaume Viltard: double bass
Tom Jackson: reeds (track 02)
Ryo Ikeshiro: acoustic guitar, laptop
Track 01 recorded 02 Dec 2009 (take 1)
Track 02 recorded 18 Nov 2009 (take 2)
Tudor’s seminal work from the 1970s is a template for what is now called sound art today. It involves resonating sound sculptures, audience interactivity, collaboration, use of found objects and feedback loops and networks.
The group installation/performance took place in Area 10 Project Space in Peckham. It was a former Whitten’s warehouse which was used as an event space for several years before being closed for demolition and subsequent redevelopment.
All the material used for the sound sculptures were found within the vicinity of Area 10 which included remains from the timber warehouse, discarded objects from building and development sites and general junk. The event took place within the backdrop of the changing landscape of Peckham and the tide of gentrification that was to follow.
Album III (cs128; 2008) released on Creative Sources Recordings with ry-om, a live electronics duo.