Led by Ryo Ikeshiro (SoundLab, School of Creative Media, City University of Hong Kong) and Tom Tlalim (Creative Research, Wimbledon College of Arts, University of the Arts London), with Dawn Scarfe and András Blazsek. Virtual exhibition by MetaObjects.
Sound Envelope uses field recordings and listening as a framework for encouraging dialogue and artistic and cultural exchange between Hong Kong and London – cities that are geographically remote but share a long history. The act of listening attentively whilst recording, playing back and mixing field recordings can make one attuned to subtle variations in our everyday sound environment, and become receptive to those of others. The title references the Asian tradition of giving money in envelopes, to wish for well-being and good fortune. The project is built on the notion of giving sounds as a gift, as a framework for artistic collaboration and exchange.
A diverse group of residents from Hong Kong and London including students from the City University Hong Kong and the University of the Arts London took part in workshops on sound and listening and created field recordings in their vicinity. The recordings were then shared amongst the participants in order to listen to a variety of sound worlds from the two cities to initiate conversation on their lives and experiences. Using the shared field recordings from Hong Kong and London, each participant has created a soundscape, presented here in a virtual exhibition. Visitors are free to click on the images in order to listen to each soundscape separately, or to walk around the exhibition space to hear an immersive mix of soundscapes close by.(more…)
dugeundoki 讀緊到期 (2018/2021)
Immersive installation with multi-channel projections and audio and TV monitor
Immsersive audiovisual installation with 3D-engraving and printing
Immersive generative audiovisual performance
Click on images to view as slideshow.
Live audiovisualisation of a Mandelbox fractal
Immersive audio-visual performance and screening work
Audiovisual work based on a modified Lorenz dynamical system.
Construction in Zhuangzi is a live “audiovisualisation”: the simultaneous sonification and visualisation of the same process and data in real-time. It is based on a modified Lorenz dynamical system, a three-dimensional model of convection that is non-linear and chaotic and has sensitive dependence on initial conditions or the “butterfly effect”.
A performance consists of an attempt at understanding and controlling the mechanisms of the near-autonomous generative system through an improvisation involving the modifications of the parameters of the Lorenz. Moments of human intervention are indicated by a colour inversion and an audio click. Lorenz stated that the equations do not produce realistic representations at large values of the parameters of the equations. In the work, these parameters are taken to beyond their original real-world limits in order to explore a speculative world. An appropriately machinic or post-human sensibility is evoked through a digital noise/glitch presentation of the emergent phenomena.
The work is featured in the Electronic Music volume of the Cambridge Introductions to Music series. A fixed-media version of the work was awarded 2nd prize at the Fresh Minds Festival, TX, and was part of the official selection for Videomedeja – 16th International Video Festival and MADATAC 04 Contemporary New Media Audio-Visual Arts Festival.
For more details, see the article “Audiovisual Harmony: The realtime audiovisualisation of a single data source in Construction in Zhuangzi“ Organised Sound 17(2), 2012. It is also featured in the Electronic Music volume of the Cambridge Introductions to Music series.
6 – 8 pm Wednesday 29 June 2011
Small Hall/Cinema, Richard Hoggart Building
Goldsmiths College, Lewisham Way, New Cross, London SE14 6NW
Tom Mudd feedback joypad
Ryo Ikeshiro new generative audiovisual work
Manabu Shimada glitched field recordings
The earthquake and tsunami of 11 March in Japan and subsequent after shocks have claimed over 15,000 lives, with 8,700 missing. Over 270,000 homes suffered damage, and almost 150,000 homes were completely or partially destroyed. Two months on, more than 100,000 are still living in evacuation shelters. The international response has certainly helped in starting the relief operation, but there is still much to be done. Any donations will be gratefully received.
The series will present two performances of each work with a talk/discussion in between. Program notes or explanations heard prior to experiencing a piece of music can sometimes affect how we listen in an unnatural way. On the other hand, they can give us useful pointers in appreciating music that might otherwise be difficult. Having two performances is a way of hopefully resolving these issues, with the first listening being unspoilt and the second more informed.
Please join us at any point in the evening. For the discussion, see links for blurbs and related articles. With kind support from EMS and SPR.