This is the homepage of UK-based Japanese artist and researcher Ryo Ikeshiro whose work deals with sound, media and computation.

Installation

Localising Borders

Sound installation

 

(more…)

Advertisements

New Town

Installation with video, 360-video with ambisonic audio and directional audio

The work explores various effects of the regeneration of Susaek-dong and Sangam-dong, Seoul, in sound.

Onomatopoeia are especially common in Japanese and Korean. Whereas their use in Indo-European languages is often considered superficial and childish and limited to providing effect, it provides a rich source of vocabulary integral to the East Asian languages where their use is much more common and varied. There are also many onomatopoeia (or “ideophones”) in both languages to describe phenomena which do not produce sounds e.g. how things look or feel and emotions.

Being literally untranslatable at times, it could be considered as an example of sounds contributing to the notion of Otherness of East Asia in general. It also operates in a symbolic realm not entirely based on conventional semantics. The practice of making the inaudible audible developed over centuries provides a fruitful source for rethinking sound and its presence beyond language and the purely symbolic.

Part 1 consists of a video of interviews carried out in Suil Market and the surrounding area. Interviewees were asked to describe Susaek using ideophones.

This slideshow requires JavaScript.

(more…)


JUST BE CREATIVE.

A sonic revitalisation of Księży Młyn, Łódź

Documentation

 

(more…)


The Mental Health Noise Orchestra

Sound, noise and listening workshops and performances for people with mental disabilities and health issues

The Mental Health Noise Orchestra challenges public preconceptions concerning people with mental disabilities and health issues by demonstrating their potential for creativity and experimentation. Through workshops, the participants open their ears to the possibilities of sound and noise through listening. They culminate in performances which also confront the audience’s notions of what music and musicality are or should be shaped by the music industry and elitist traditions.

(more…)


Pika! Ppeonjjeog, Pika! Ppeonjjeog / Ppiikkaa!! PPppeeoonnjjjjeeoogg

Immsersive audiovisual installation with 3D-engraving and printing

Click on images to view as slideshow.

 

 

The Korean and Japanese languages contain many onomatopoeia to describe phenomena which produce no sound e.g. how things look or feel and emotions. This mixed-media installation is based on this practice of “sound symbolism” of silent phenomena.

(more…)


Ethnic Diversity in Sites of Cultural Activity

Interactive audiovisual installation

Ethnic Diversity in Sites of Cultural Activity poses the question of whether computers can be racist by highlighting the potential for discrimination of face recognition technology. The interactive installation consists of a computer, a web camera, speakers, projectors and lamps. It locates faces, detects skin colour and alters the sound and image produced depending on the ethnic diversity of the visitors to the exhibition. Different music is selected depending on where the work is exhibited. The piece was originally developed in Vienna where it morphed between Fela Kuti’s Zombie for dark skin and Johann Strauss II’s the Blue Danube performed by the Vienna Philharmonic for light skin in reference to the orchestra’s lack of ethnic and gender diversity.

(more…)


Composition: White Square, White Circle

Available in limited edition digital format from Sedition.

Ryo_Ikeshiro_CWSWC_scaled01 (more…)