Led by Ryo Ikeshiro (SoundLab, School of Creative Media, City University of Hong Kong) and Tom Tlalim (Creative Research, Wimbledon College of Arts, University of the Arts London), with Dawn Scarfe and András Blazsek. Virtual exhibition by MetaObjects.
Sound Envelope uses field recordings and listening as a framework for encouraging dialogue and artistic and cultural exchange between Hong Kong and London – cities that are geographically remote but share a long history. The act of listening attentively whilst recording, playing back and mixing field recordings can make one attuned to subtle variations in our everyday sound environment, and become receptive to those of others. The title references the Asian tradition of giving money in envelopes, to wish for well-being and good fortune. The project is built on the notion of giving sounds as a gift, as a framework for artistic collaboration and exchange.
A diverse group of residents from Hong Kong and London including students from the City University Hong Kong and the University of the Arts London took part in workshops on sound and listening and created field recordings in their vicinity. The recordings were then shared amongst the participants in order to listen to a variety of sound worlds from the two cities to initiate conversation on their lives and experiences. Using the shared field recordings from Hong Kong and London, each participant has created a soundscape, presented here in a virtual exhibition. Visitors are free to click on the images in order to listen to each soundscape separately, or to walk around the exhibition space to hear an immersive mix of soundscapes close by.(more…)
bug 蛣聽器 (2021)
Sound installation with Ambisonics field recordings, directional speakers, lasers and computer
dugeundoki 讀緊到期 (2018/2021)
Immersive installation with multi-channel projections and audio and TV monitor
(2014 – ongoing)
Interactive audiovisual installation
Ethnic Diversity in Sites of Cultural Activity poses the question of whether computers can be racist by highlighting the potential for discrimination of face recognition technology. The interactive installation consists of a computer, a web camera, speakers, projectors and lamps. It locates faces, detects skin colour and alters the sound and image produced depending on the ethnic diversity of the visitors to the exhibition. Different music is selected depending on where the work is exhibited. The piece was originally developed in Vienna where it morphed between Fela Kuti’s Zombie for dark skin and Johann Strauss II’s the Blue Danube performed by the Vienna Philharmonic for light skin in reference to the orchestra’s lack of ethnic and gender diversity.