This is the homepage of UK-based Japanese artist Ryo Ikeshiro whose practice deals with sound, media and computation.

Video

JUST BE CREATIVE.

A sonic revitalisation of Księży Młyn, Łódź

Documentation

 

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The Mental Health Noise Orchestra

Sound, noise and listening workshops and performances for people with mental disabilities and health issues.

The Mental Health Noise Orchestra challenges public preconceptions concerning people with mental disabilities and health issues by demonstrating their potential for creativity and experimentation. Through workshops, the participants open their ears to the possibilities of sound and noise through listening. They culminate in performances which also confront the audience’s notions of what music and musicality are or should be shaped by the music industry and elitist traditions.

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Girls! Girls! Girls! Girls! Boys!

Girls! Girls! Girls! Girls! Boys! is a set of five Teletext art works made for the International Teletext Art Festival – ITAF2015.

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The Global Minotaur

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Inspired by The Global Minotaur: America, the True Origins of the Financial Crisis and the Future of the World Economy by Yanis Varoufakis, the Greek finance minister from Syriza.

It is part of OCEAN, an online exhibition of animated GIFs.


Construction in Kneading

Live audiovisualisation of a Mandelbox fractal.

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Challa

Soundtrack to audiovisual installation in collaboration with Meital Covo.

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Construction in Zhuangzi

Audiovisual work based on a modified Lorenz dynamical system.

Construction in Zhuangzi is a live “audiovisualisation”: the simultaneous sonification and visualisation of the same process and data in real-time. It is based on a modified Lorenz dynamical system, a three-dimensional model of convection that is non-linear and chaotic and has sensitive dependence on initial conditions or the “butterfly effect”.

A performance consists of an attempt at understanding and controlling the mechanisms of the near-autonomous generative system through an improvisation involving the modifications of the parameters of the Lorenz. Moments of human intervention are indicated by a colour inversion and an audio click. Lorenz stated that the equations do not produce realistic representations at large values of the parameters of the equations. In the work, these parameters are taken to beyond their original real-world limits in order to explore a speculative world. An appropriately machinic or post-human sensibility is evoked through a digital noise/glitch presentation of the emergent phenomena.

The work is featured in the Electronic Music volume of the Cambridge Introductions to Music series. A fixed-media version of the work was awarded 2nd prize at the Fresh Minds Festival, TX, and was part of the official selection for Videomedeja – 16th International Video Festival and MADATAC 04 Contemporary New Media Audio-Visual Arts Festival.

For more details, see the article “Audiovisual Harmony: The realtime audiovisualisation of a single data source in Construction in Zhuangzi Organised Sound 17(2), 2012. It is also featured in the Electronic Music volume of the Cambridge Introductions to Music series.