Artist, musician and researcher exploring the possibilities of meaning and context presented through sound and its materiality in relation to digital and audio technologies

Yugoslav Wars

(Re)constructing Voices

(2018)
Installation with audio, printer and paper, and wall displays
In collaboration with Aron Rossman-Kiss

Based on a huge audio archive of testimonies from participants and statistics of victims from the Yugoslav Wars, the work questions the modalities of presenting this material as well as the power structures that condition their use and dissemination. Ironic and grave, it is both a memorial in the making and a reminder that describing events simply as “war” risks glossing over the imbalances, intricacies and causes of the conflicts. In conjunction with the uncanny ability of algorithmically-generated “fake” text to function as testimonies, the work serves to highlight the complexities inherent in the use of such material within the public sphere, education and documentary research.

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