Ryo Ikeshiro is an artist, musician and researcher working with audio and time-based media to explore possibilities of thinking through sound. He is interested in the artistic potential of computation and code as well as their cultural and political dimension i.e. both the aesthetic possibilities brought about by the technology and its wider context.
Techniques of sonification – the communication of information and data in non-speech audio – are harnessed in an artistic context, with algorithms and processes presented as sound to investigate computational creativity and the relationship between the audio and the visual. In addition, the manifestation through sound and technology of issues of identity and Otherness is explored. Comparable processes to sonification are also used, such as ideophones in East Asian languages – words which evoke silent phenomena through sound.
His output includes installations and live performances in a variety of formats including immersive environments using multi-channel projections and audio, 360-video and Ambisonics (spatial audio), field recordings, interactive works, Teletext art and generative works. Recent themes explored include echolocation, computer vision, artificial intelligence, algorithmic bias, sonic branding, urban regeneration, singing voice synthesis, 3D-printing and engraving, mental health, noise, emergence and non-standard synthesis.
Ryo has presented his works internationally in a wide range of contexts including exhibitions, festivals, concerts and screenings as well as academic conferences. He was part of the Asia Culture Center’s inaugural exhibition in Gwangju, South Korea, and his TeleText art pages have been broadcast on German, Austrian and Swiss national TV. He is a contributor to Sound Art: Sound as a medium of art, a forthcoming publication from ZKM Karlsruhe and he is featured in the Electronic Music volume of the Cambridge Introductions to Music series, and his articles have been published in the journal Organised Sound.